Yvonne Reddick

Dr. Yvonne Reddick

Research Fellow in Modern English and World Literatures / Lecturer in Creative Writing

School of Humanities and Social Sciences

Livesey House, LH214

+44 (0) 1772 89 6423


Subject Areas: English Literature

Dr. Yvonne Reddick researches the way literature engages with environmental issues. Her book on poet Ted Hughes’s environmentalism is published by Palgrave Macmillan, and her next research project focuses on local and international issues in environmental poetry. She is an award-winning poet, widely published in newspapers and magazines. A member of the Institute for Black Atlantic Research, she also publishes work on place and environment in postcolonial literature.

Yvonne is research active in the IBAR research group.


Full Profile

Yvonne Reddick began her career with an Early Career Fellowship at the University of Warwick. There, she founded an interdisciplinary, international Environmental Studies Research Network with funding from the Engineering and Physical Sciences Research Council.

Reddick's recent research focuses on contemporary poetry and the environment. Her monograph Ted Hughes: Environmentalist and Ecopoet is published by Palgrave Macmillan. Her articles appear in the leading peer-reviewed journals in her field, such as English, Cambridge Quarterly, Interdisciplinary Studies in Literature and the Environment, and Modern Language Review.

Reddick is a member of the Institute for Black Atlantic Research, and her articles on postcolonial ecocriticism appear in journals such as Wasafiri. She received a Guest Research Fellowship at Linnaeus University, Sweden, to pursue this research in 2016, and a Harry-Ransom Center Fellowship grant in 2017.

For her poetry, Reddick has received a Northern Writer’s Award (2016), the Mslexia magazine women’s poetry pamphlet prize (2017), a Hawthornden Fellowship (2017), a commendation in the National Poetry Competition, the Poetry Society’s inaugural Peggy Poole Award, a Creative Futures Literary Award (2018) and first prize in Ambit journal’s poetry competition (2019). Her third pamphlet, Translating Mountains (Seren 2017) was selected as a favourite pamphlet of the year in the Times Literary Supplement. Her poetry pamphlet Spikenard (Smith/Doorstop 2019) was selected for publication by former Poet Laureate, Carol Ann Duffy. Spikenard was picked as a best pamphlet of early 2019 in the London Review of Books. Reddick’s work appears in newspapers and magazines such as The Guardian, The New Statesman, PN Review, Stand, The North, Mslexia and The Compass. She has translated work by major Swiss poets such as Philippe Jaccottet and Maurice Chappaz into English, and her own poetry has been translated into Greek, Swedish, French, Chinese, Hungarian, German and Italian. She is an associate editor at the poetry journal Magma.

Reddick’s latest academic book project focuses on how modern and contemporary poets engage with place, scale and global environmental issues in the Anthropocene. The project analyses work by Seamus Heaney, Alice Oswald, Ted Hughes, Pascale Petit, Karen McCarthy Woolf and emerging writers who engage with debates around the Anthropocene: a proposed geological epoch shaped by human actions.

With artist Diana Zwibach, Reddick co-curates the art and poetry exhibition Deerhart, which has toured to galleries in Cambridge, Preston and Edinburgh.

Reddick’s impact work focuses on helping bereaved people to write poetry, expressing their emotions and achieving creative benefits. Stakeholders in the Writing for Wellbeing: Poetry, Grief and Healing project include the NHS Lancashire Recovery College, St Catherine’s Hospice, the Harris Museum, Gallery and Library, Poetry in Aldeburgh festival and Magma poetry journal. Further recipients of writing workshops and workshop materials include the Arvon Foundation, hospices and bereavement charities. This research draws on the elegies for Reddick’s father in her award-winning pamphlet Translating Mountains and editorial work for a loss-themed edition of Magma poetry magazine. This research is funded by the Arts Council England.

She welcomes enquiries about PhD and MA by Research supervision on topics including: modern and contemporary British and Irish poetry, Creative Writing (especially poetry and life-writing), ecocriticism, elegy, the ‘new nature-writing’ and Anthropocene studies.


Ph.D. English and Comparative Literary Studies, University of Warwick, 2013.
M.A. English and Related Literature, University of York, 2010.
B.A. English Literature, University of Cambridge, 2008.


Ted Hughes: Environmentalist and Ecopoet.

 “Throttle College”? Ted Hughes’s Cambridge Poetry.

Translating Mountains

Crude oil and palm oil: environmental damage, resource conflict and literary strategies in the Niger Delta.

‘Icthyologue’: Freshwater biology in the poetry of Ted Hughes.’

More publications

Awards and distinctions

Northern Writer’s Award (2016).
Mslexia Pamphlet Prize (2017).
Jerwood/Arvon mentee (2017-18). Mentor: Pascale Petit.
Hawthornden Fellowship (2017).
Commendation – National Poetry Competition (2018).
Peggy Poole Award (2018). Mentor: Professor Deryn Rees-Jones.
First prize in Ambit poetry journal’s poetry competition (2019).


2019-20: Arts Council England grant. Magma: The Loss Issue
2017: Harry-Ransom Center Fellowship
2013: EPSRC-funded environmental Studies Research Network


Founder member of UCLan’s Institute for Black Atlantic Research Ibar UCLan

Founder of EPSRC and IAS-funded Environmental Studies Research Network

Member of the Association for the Study of literature and the Environment (ASLE UK-I)

Peer reviewer for Interdisciplinary Studies in Literature and the Environment (Oxford University Press)

Fellow of the Higher Education Academy


Literary criticism, archival research, poetry publications, impact (Poetry, Grief and Healing project), public engagement (exhibitions, judging schools’ poetry competition), graduate and undergraduate research supervision.


1. Ted Hughes: Environmentalist and Ecopoet
2. Anthropocene Poetry: Environment, Place and Globe
3. Translating Mountains and Burning Season.
4. Poetry, Grief and Healing (impact project)


  • Lectureship in Creative Writing (0.2 FTE, 2016-present).


  • Honours-level: Poetry sessions for Advanced Creative Writing Workshop and Exploring Genre; dissertation supervision
  • First year: Poetry sessions for Introduction to Creative Writing and Writing Identities
  • Foundation: Introduction to Creative Writing
  • Curriculum design for new single-genre Creative Writing modules

External Affiliations

  • Consultancy: Peer reviewer for Interdisciplinary Studies in Literature and the Environment (Oxford Journals)
  • Associate member of Magma poetry journal
  • Work with Arvon Foundation to facilitate ‘Ted Hughes in Translation’ workshops, 2018
  • Harry-Ransom Center Fellow, University of Texas, Austin: November-December 2017
  • Guest Research Fellow at Linnaeus University, Sweden: September 2016
  • Visiting Scholar at Wolfson College, Cambridge: September – December 2015
  • Visiting Fellow of the Centre for the Study of International Slavery, University of Liverpool: November 2013-August 2016