Full Profile

As a painter, writer and curator Lubaina Himid has participated at an international level in exhibitions conferences books and films on the visual art of the Black Diaspora since the early 1980’s.

Naming the Money(2004) which also appeared as part of the V&A exhibition Uncomfortable Truths (2007), Swallow Hard : The Lancaster Dinner service (2007) and Talking on Corners Speaking in Tongues (2007) were all central to the cultural events surrounding the commemoration of the 200th anniversary the Abolition of the Slave Trade in Britain.

Her contribution to the publication (2005) and conference(2001) Shades of Black Assembling Black Arts in 1980s Britain at Duke University in the U.S.A. spoke of the importance of black artists archiving the history of their own visual contribution.

In Fabrications at CUBE in Manchester a group show in which with her monumental installation Cotton. Com (2002) she explored the tangible yet hidden links between the factories in Manchester and the fields of Carolina. For Inside the Invisible (2001) commissioned by The Leprosy Museum in Bergen she examined the twin dilemmas of identity and belonging, which developed out of the questions asked in the solo exhibitions Plan B at Tate St Ives and Zanzibar at Oriel Mostyn in 2000.; how can you tell the difference between safety and danger.

Curating exhibitions and small interventions in spaces such as the Bowes Museum County Durham (2004) and educational, cultural and community venues in the north west has recently been central to her practice as a visual art facilitator and cultural activist.

As part of the larger project started in the early 80’s with shows such as the Thin Black Line (1986) and Black Woman Time Now(1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD/text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African/American, Asian and Caribbean descent.

Lubaina Himid’s work has been profiled as part of the #100 Works that Belong to You project which celebrates 12 years of acquisitions by the Outset/Frieze Art Fair Fund to benefit the Tate Collection (OFT). 100 works by 69 artists were acquired for the National Collection by OFT between 2003 and 2014 and the video profiling Lubaina’s work can be accessed via Vimeo.

Lubaina was awarded an MBE in June 2010 for services to black women's art. She has spent her 35-year career shining a light on the trade in enslaved people and the contribution made by the people of the Black Diaspora.
In 2019 the Royal Academy of Arts elected Lubaina as a Royal Academician in the category of Painting.

Qualifications

• B.A. Theatre Design Wimbledon Art School London 1976
• M.A. Cultural History Royal College of Art London 1984

External Activities

Board member Arts Council England (North West)
Fellow of the Royal Society of Arts

Grants
ACE 2007 Swallow Hard: Lancaster Dinner Service, The Judges Lodgings Lancaster.
ACE 2003 Naming the Money, Hatton Gallery Newcastle.