School of Film, Media and Performance
Media Factory, ME301
+44 (0) 1772 89 4291
Subject Areas: Music
Paul Greene joined Uclan in 2002 and is currently Course Leader for the BA (Hons) Music Production course. His career in music began in the late 1970's as bass guitarist songwriter, performer and producer. He has worked on a number of projects across musical genres whose recorded output has been made available in the UK, Europe and the United States. More recently his work has included sound installation and computer based composition for fixed media playback.
Paul is a fellow of the HEA.
Research interests include music pedagogy, the means by which digital studio technology can enable composition and curriculum innovation in music technology.
No Publications Available
Performance of “Misguided Fool” by John Lacey & Paul Greene as part of Integration 2, with Colin Potter and Keith Rowe. St Peters Arts Centre, Preston. Lancashire.
Prepared vinyl set investigating aesthetics and debates within the culture of contemporary turntablism.
Performance of “Misguided Fool” by John Lacey & Paul Greene, as part of Hebden Bridge Arts Festival. ‘July 4th’ event, Little Theatre, Hebden Bridge. Yorkshire.
1. Artist in residence, Blackburn Museum and Art Gallery. Two day residency in the Victorian Gallery to Record and prepare audio material for subsequent installation.
2. Release of Stone Creek Radar ‘A Cautionary Tale’, self-written, recorded and produced album.
December 2004 to February 2005.
‘Room Response’ Sound Installation of five site-specific works composed from material gathered over the course of previous two-day residency. Blackburn Museum and Art Gallery.
1. Contributing artist at GEM 1 – Sonic Explorations. Concert at St Paul’s, Huddersfield. Yorkshire.
(Loudspeaker performance of composition work)
2. Contributing artist at Palatine Conference, ‘Integrating Practice as Research’,
University of Central Lancashire.
(Loudspeaker performance of ‘Three Stage Drift’ compositions).
Selected author, ‘404 Festival of Electronic Art and Media’, Rosario, Argentina.
‘Three Stage Drift’ compositions included in Signal & Noise festival, Vancouver, Canada.
Trans Pennine Electroacoustic Music Concert. St Peters, Preston, Lancashire. Acousmatic performance of 14 channel diffusion composition.
Avid Learning Partnership, JAMES Integrated Learning Centre Accreditation lead, Partnership Development in area of Music Production/Film, Media and Performance
Invited exhibition/installation. 2004
Leeds International Music Technology Conference. Leeds College of Music. ‘Heteroglossia’.
Presentation using MAX/MSP and Jitter, graphics tablets and TVs, based on the inter-textual language and dialogue theories of Mikhail Bakhtin.
Audio-visual installation with Jon Aveyard and Rees Archibald.
Invited Paper 2005
‘Convergence and Divergence’ paper delivered at UWE Bristol, ‘Predicaments In Visual Culture’ conference, ‘Theorising Creativity’ symposium.
With Rees Archibald and John Lacey.
Invited Paper May 2008
Paper titled 'Composed by the Edit' at the ‘Beyond the Dance’ Study Day, Keele University and the Royal Musical Association,
Teaching critical and contextual modules, practical music technology/recording, research modules and supervision of practical year three major projects and dissertations.
Uclan University Review Panel Member, 2008 to present