19th May Programme

View performances below in addition there will be performances by level 1 Music Practice students.

[see also: 19th  20th  22nd  23rd  24th]

Absorb

Absorb, by Nick Boults

Our relationship with words and ideas are routed deep within our subconscious minds. They are as unique as the individual themselves. But using certain techniques it is possible to place certain words or ideas into people's minds.

Break

Break, by Luke Hesketh

This percussion piece takes heavy influence from the breakbeat genres.

Nurburgring

Nürburgring, by Paul Edwards

Rhythm and tone from motor sport.

Assistance

Assistance, by David Fenwick

 Audio and visual signals manipulated by the audience..

Juxtaposed Artefacts Creating Obtuse Ballet

Juxtaposed Artefacts Creating Obtuse Ballet, by Jacob James Maxwell

A discussion about digital performance as an art form and also about the relationship between visual art and audio art by involving the audience in the direct collision between these disciplines. 

The Conscious and Unconscious Mind: Conditions of Normality and Abnormality

The Conscious and Unconscious Mind: Conditions of Normality and Abnormality, by Phil Ennion

This performance is based on different processes our brains can take in a lifetime.

Idee

Idée, by Jennifer Smith

This work is an audio-visual performance. It aims to present sound on screen as an equal to the visual counterpart in our interpretation of film.

Elactal

Elactal, by Jack Clulow

Elactal is a piece encompassing elements of Glitch based electronic sound, live incidental instrumentation and the compositional ideas of fractal geometry.